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November
25

The 5th All Africa Music Awards, AFRIMA held in Accra, Ghana on November, 24, 2018 had in attendance music stars, dignitaries, and music lovers across the continent, the annual music event seeks to celebrate and reward African talents who have done exceedingly well in the year. 

With a total of 36 categories, the 5th AFRIMA winners are culled from the Regional and Continental categories. In addition, special recognition awards fully decided by the International Committee of AFRIMA is awarded to individuals who have impacted positively to the world using their craft. 

The 5th AFRIMA Legendary awards was given to the internationally recognized South African singer, Yvonne Chaka Chaka. The music legend, who is “dubbed Princess of Africa” has a career span of over 30 years with several hit albums, has performed for notable personalities within and outside the country. 

Executive Governor of Lagos State, Akinwunmi Ambode was awarded a special recognition for his contributions towards the growth and development of the Arts and Tourism sector of Lagos state, most importantly the role Lagos state played as official host of AFRIMA in its last 4 years from 2014 – 2017. 

In what turned out to be an emotional moment for the audience, a special recognition awards was given to one of Ghana’s music veteran, Teddy Osei, the leader of the famous Osadebe group, an Atropop band created in 1969. The veteran who was helped to the stage in a wheelchair had been suffering from a mild stroke, but was overwhelmed by such great honour. 

REGIONAL CATEGORY

Best Female Artiste in Central Africa

Daphne / Cameroon / Jusqu’à La Gare

Best Male Artiste in Central Africa

-Fally Ipupa / DRC / Mannequin Ft Keback & Naz

Best Female Artiste in Eastern Africa

-Betty G / Ethiopia / Mengedegna

Best Male Artiste in Eastern Africa

-Bebe Cool / Uganda / Freedom

Best Female Artiste in Northern Africa

-Lyna Mahyem ft Medi Meyz /Algeria / Bye Bye

Best Male Artiste in Northern Africa

-Hamza El Fadly / Morocco / Ya Mraya

Best Female Artiste in Southern Africa

-Shekhinah / South Africa / Please Mr

Best Male Artiste in Southern Africa

-Nasty C / South Africa / Jungle

Best Female Artiste in Western Africa

-Tiwa Savage / Nigeria / Ma Lo Ft. Wizkid & Spellz

Best Male Artiste in Western Africa

-Davido / Nigeria / Fia

CONTINENTAL CATEGORY

ALBUM OF THE YEAR

-Betty G / Ethiopia / Wegegta

ARTISTE OF THE YEAR

-Davido / Nigeria / FIA

BEST AFRICAN VIDEO

-Sesan / Gringo (Shatta Wale) / Nigeria

BEST AFRICAN ACT IN DIASPORA

-Hazel Mak / Malawi / Jaiva Ft. Roberto & Tay Grin

BEST AFRICAN COLLABORATION

-GuiltyBeatz, Mr. Eazi, Patapaa & Pappy Kojo / Ghana-Nigeria / Akwaaba

BEST ARTISTE, DUO OR GROUP IN AFRICAN CONTEMPORARY

-Kidi / Ghana / Odo Remix Ft. Mayorkun & Davido

BEST ARTISTE, DUO OR GROUP IN AFRICAN DANCE OR CHOREOGRAPHY

-Mr P. / Nigeria / Ebeano

BEST AFRICAN DJ

-Afrotronix / Chad / OyO

BEST ARTISTE, DUO OR GROUP IN AFRICAN ELECTRO

-Master KG / South Africa / Skeleton Move Ft. Zanda Zakuza

BEST AFRICAN DUO, GROUP OR BAND

– Toofan / Togo / Money

BEST ARTISTE, DUO OR GROUP IN AFRICAN HIP HOP

-M.ANIFEST FT KING PROMISE / Ghana / ME NE WOA

BEST ARTISTE, DUO OR GROUP IN AFRICAN JAZZ

-Sibusiso Mashiloane / South Africa / Niza

BEST AFRICAN RAPPER OR LYRICIST

-Falz / Nigeria / La Fête

BEST ARTISTE, DUO OR GROUP IN AFRICAN POP

-2Baba / Nigeria / Amaka Ft. Peruzzi

BEST ARTISTE, DUO OR GROUP IN AFRICAN RAGGA, REGGAE & DANCEHALL

-Stonebwoy / Ghana / Hero

BEST ARTISTE, DUO OR GROUP IN AFRICAN R ‘N’ B & SOUL

-Praiz / Nigeria / Champagne and Flowers

BEST ARTISTE, DUO OR GROUP IN AFRICAN ROCK

– Maryam Saleh, Maurice Louca, Tamer Abu Ghazaleh / Egypt / Ekaa Maksour

BEST ARTISTE, DUO OR GROUP IN AFRICAN TRADITIONAL

-Irene Namatovu / Uganda / Nsambila Nyuma Nga Janzi

BEST FEMALE ARTISTE IN AFRICAN INSPIRATIONAL MUSIC

-Sandra Nankoma / Uganda / Kaddugala

BEST MALE ARTISTE IN AFRICAN INSPIRATIONAL MUSIC

-Sarkodie / Ghana / Glory Ft. Yung

MOST PROMISING ARTISTE IN AFRICA

-Kuami Eugene / Ghana / Confusion

PRODUCER OF THE YEAR

-Fresh VDM / Togo / Fia

REVELATION OF THE AFRICAN CONTINENT

-Betty G / Ethiopia / Ere Manew

SONG OF THE YEAR

-GuiltyBeatz, Mr. Eazi, Patapaa & Pappy Kojo / Akwaaba / Ghana

SONGWRITER OF THE YEAR

-Shekhinah Donell, Amon Taulo Chibiya II / South Africa / Different Ft. Mariechan

AFRICAN FANS’ FAVOURITE

-Nedy Music / Tanzania / One and Only Ft. Ruby


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November
17

 

Outstanding lyricist Mic Monsta serves it red hot with his banging club vibe titled “Change ya style” featuring Dready Christ. 

Enjoy 


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November
17

Blanche Bailly continues her smooth musical journey with a brand new tune titled “Ndolo”. The “mimbayeur” hitmaker delivers sultry vocals and heart- soothing lyrics on this masterpiece.

The song was produced by young talented producer McCoy and video directed by Nkeng Stephens.

Enjoy


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November
1

The Cameroon music ecosystem has gradually become incredibly bankable. Artists now generate a great income flow from digital sales, licensing, live performances, endorsements and merchandising.
However, artists should prioritize creating multiple streams of income
in order not to fall prey of moving from riches to rags . Be smart.
Apparently, the artists that will survive financially when their careers are on the downswing are those that invested in diverse income generating activities.
When some artists start basking in fame, hugely solicited for shows and enjoy the spotlight , they indulge in a lavish , extravagant lifestyle and impulsive spending which creates a deep dent in their finances.
The first bankruptcy I ever learned about as a child was that of MC Hammer, who burned through millions in the wake of the success of “U Can’t Touch This”. Sure, it was a catchy pop hit and the video’s harem trousers were a look, but that wasn’t enough to fund MC Hammer’s rumoured 90-person entourage, $20m mansion (£19m in current terms) and tax payments. In 1996, he owed more than $13m (£12.6m today), while owning about $9m (£8.7m today) in assets.
TLC that sold platinum in the 90’s , 7 times grammy award winner and In da club billboard chart topper 50 cent filed for bankruptcy.
A myriad of makossa artists who saturated the national media outlet crtv and tele podium in the 90s are now languishing in the mire of poverty and destitution after their careers waned.
Our present day celebs are cashing in from their tours and endorsements but trust me if care isn’t taken, they might end up asylum seekers abroad , end up getting married to “oyibo” women , or look for odd jobs to sustain their lives. That’s exactly what’s happening with many makossa artists who made chart-topping hits when the genre was en vogue.
It’s quite apparent that there shall be a time when you will no longer make hits , that moment you feel the gods of hits are against you. You shall see the money you made dwindle to bankruptcy and you get back to zero . Getting bankrupt is a pitfall in an artist’s life. Create multiple streams of income.
The Cameroon music industry hasn’t a well established copyright structure where artists can amass huge profit from royalties even when they ain’t making hits. The defunct SOCAM to present day OGC created in 2017, have shown no salient results .
In Nigeria, the copyright society COSON ensures artists reap their royalties .
Alpha Better Records can be lauded for being on the right path.
The record label is bossed by a business-oriented person Salatiel . He has created multiple streams of cash flow that will guarantee the sustainability of his career in the long run. Alpha Better recording studio is great asset.
Mr Leo has established a profitable bar/restaurant business in Buea and other assets that give him absolute financial equilibrium aside his music hustle.
In a Cameroon where the copyright system is marred, be smart and acquire invest your money .

 


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September
17

The Urban music industry has experienced a massive boom from 2012 which has seen the likes of artists Jovi, Stanley Enow , Mr Leo, Salatiel, Magasco, Daphne, Tenor etc take the spotlight. Their hits made a tremendous impact in the English-speaking regions , enjoying massive rotation in nightclubs, snack bars and pubs.

This frenzy has unfortunately petered out due to the ongoing socio-political crisis rocking the Northwest and Southwest regions.
Why do songs released nowadays have an overly short lifespan or even go unheard ?
An eagle-eyed analysis of the present ecosystem has pertinent points we may have to consider.
It’s quite evident that songs released from the wake of the Anglophone crisis till now have an ephemeral life-span. I’ve been trying to decipher some factors that dwindle the life span of songs during these turbulent times.
The outbreak of the Anglophone crisis since 2016 has had a negative repercussion on the urban music ecosystem which explains why songs released by artists during this crisis that can be rated as potential hits or propitious end up in the recycle bin in a very short time. The reason is because the conventional circulation of music has been impaired.
How music circulated

The salient role of DJs:
Nightclub, pub and snack bar Djs played a pivotal role in the proliferation of newly released music. The phenomenon of DJs putting out playlists which are usually constantly on rotation during night time handouts has been thwarted. Administrative curfews imposed on nightclubs and snack bars have just helped to kill the enthusiasm of DJs to continue churning out these mixes. 

 Djs usually mash up mixes of songs on the mainstream which are relayed to road-side pirates who use their laptops or computers to transfer music to phones , ipads , usb keys, and other musical gadgets. And that’s the trick. The primary method of circulating music was bootleg. 

These roadside music bootleggers also make their collections based on what was trending. They are now suffering from collateral damage . 
Their role of circulating music has been rendered difficult due to the curfew imposed on nightclubs, snacks etc. These are hubs where people got music and circulated phone to phone, phone to laptop etc . 
Artists have been ensnared by this crisis. Most of these villages and towns that kept music alive have fled to bushes and they currently don’t even care about what is trending. Their old playlists in their phones are okay . Their plights are more bothersome.

Imagine how many DJs and roadside music distributors have abandoned their jobs and fled due to insecurity.
Some Anglophone artists had undermined the role , value and contribution of these people to the music subsistence process. Trust me, songs released now don’t reach their full potentials. I imagine how big songs like “Casanova” by Stanley Enow, Magasco’s “Sokoto”, Awu “Sidomina” would have been in these regions without the crisis. Ambe’s “Vitesse” was peaking considerably and trust me the song would have been bigger without the crisis. Ambe would have pocketed more money from that tune. 

Bloggers play a very important part in creating buzz about a song and influencing people to download digitally.  But there exists a plethora of people who are not online-friendly , don’t even know how to go about downloading music from blogs. 

These category of people solely rely on roadside music distributors. That’s a majority according to statistics. 
Another method of getting your music heard is through tours and concerts. With the current insurgency plaguing our regions , it is quite difficult to organise concerts and events especially during the night hours.
This has impaired artists from placing a love-mark on their songs through performances .

Very few music events have taken place from December 2017 to present. Artists who relied heavily on gigs in these regions are now sinking in the mire. 

 


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August
20

Realm Squad & Fluri Boys have joined forces on a solid song titled “C’est la vie” . It gives a message of hope to all hustlers that in spite of the travails and ordeals  of life , be strongly focused on your goal to succeed. It’s quite a catchy tune embroided with deep lyrics and good vocals. 

 The release was delayed due to a  breached contractual relationship between Realm Squad and their former label boss Wax Dey. But it now seems the issue has been settled amically before the release of the song. 

The song is definitely a propitious hit if it’s accorded proper attention and promoted. 


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August
18

After illuminating the dance floor with her energetic and mellow tune “My lover”, Daphne is now coming back with a thumping, melodic reggae masterpiece titled “Ne laches pas” produced by Salatiel. The song  encourages people never to give up, stay positive  and resilient in a bid to succeed in life. Daphne’s sultry voice and soul-touching lyrics are just irresistible. 

Enjoy ! 


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August
13

On the heels of his sizzling tune “Man made God”, multi-award gospel sensation Vumomse unveils “Oluwa”, an infectious and edifying tune produced by Akwandor. With well-crafted and soul-touching lyrics , the opus is a motivation to praise and glorify God for our cups are overflowing with blessings everyday. “Oluwa na number one” is the catchy phrase that keeps being instilled in my mind after listening to this song. Vumomse’s music possesses uniqueness and quite relatable to create an impact in our lives. #Oluwa #Vumomse
Listen up !


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August
5

MUSIC: ASKIA – LET’S TALK

Posted In: Hip Hop, Hot Videos, Top Songs by The Administrator

Askia seems to have found her musical poise with her new much-talked about song “Let’s talk”.

In a soul-touching lyrical delivery , she details the ongoing crisis plaguing the Anglophone regions , stating how vulnerable to killing people are and condemning targeted shootings masked as “stray bullets ” . She decries the massacre and makes a call for leaders to dialogue. ASKIA is proving she really deserves the crown. 

Listen up


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August
5

TZY PANCHAK – LOVE ME

Posted In: Afro-pop, Hot Videos, Top Songs by The Administrator

Blu Nation soldier Tzy Panchak drops his new sensational love jam titled “Love me”.

In this well-crafted tune, we get more of French lyrics conveying beguiling words of affection for a girl . TZY proves versatile and consistent.

Listen up


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