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I had completely lost hope in the future of Cameroonian music particularly given the recent westernized brand of music created by the youth.


That hope was reawakened when I got a couple of tracks by up-and-coming Cameroonian pop/Afro hip hop group, Black Triangle. “Promising” is a word that denotes a quality that might assure one of success. “Promising” is the word I will use in qualifying this group. I have listened to tracks by Black Triangle but for the sake of brevity, let me give you an appraisal of two tracks—Kongosa Bed and Je Te Ya Mo.
Kongosa Bed is a metaphor, a gritty sexual innuendo with a mid tempo tune. With voices slightly auto tuned, the song fills you with a sense of listening to The Dream without actually seeming like one of his songs. It is paradoxical I know but that’s just how it feels. It is different in sound but the same kind of suppleness. Not the crazy, whimsical over auto-tune of T-Pain. The song is African, Cameroonian, with all the slangs and metaphoric expressions that can possibly be associated with it but the very strength of it is in the vocal artistry of the singers. They are all creative and unique.

Nubed Colin aka A.C.E, has a supple mid range voice but a strong determined delivery. He comes off as one of those rare artists with a talent to play vocally and still sound great. Afro-pop actually might be his strongest niche but he can always deliver in other brands with relative ease.
Cuthbert (Cuth B), is rough and lyrically unrestrained and he does this with an imperfect notoriety. So I guess the best description is that he is perfectly flawed. He is the kind of artist who is so good, he himself can hardly escape his genius.
Then there is Arrey Rhymes. Stop for a second and catch your breath. Then join me in saying that if Black Triangle is a godhead, Arrey Rhymes is the Christ. And I am assuming that Christ can sing. That talent is not mentioned in the Bible. He is so good, he seems like salvation. Vocally, he sounds so velvety and rare and with an unapologetic savior faire.
Which brings us to Je Te Ya Mo. The song samples Dami Duro by a Nigerian artist. It is a beautiful up tempo song with a catchy hook. Again, it is a sexual innuendo. Which seems to be their forte but which I quite frankly think needs not be overdone. Je Te Ya Mo succeds purely on creativity and

the vocals. You know you are listening to a sample of Dami Duro but you are not filled with an overwhelming sense of déjà vu. The sound itself has been reworked to accommodate a new musical style and Rhymes again towers high almost dwarfing the original. It is a totally sing along song with an anthemic feel and completely dancehall. When Arrey chants “I go trowe you my Euro, baby se toi que je te Ya Mo/Ndolo”, you feel like you have being filled with Ecstacy—the drug that is. You will leave everything on the dance floor. But the climax of the song is the intoxicating drummer thumping at the end of the song. Yes, it is a sample but a stellar, creative one with a feel of originality.
Then there is the unheard voice in the whole Black Triangle phenomenon but without whom it would seem nothing is possible—Arrey Manyi William Takor. He is a mastermind, a genius and oh such a fine designer and artist. From the direction of the group, to management, to the designing of the logo of the group, to the track covers, Takor has proven a know-how which is comparable to none I have seen in Cameroon. With more exposure (and he will be getting it) I am convinced we will be hearing of him for a longtime.
In all, there are a couple of artists such as Jovi, Denzel, Stevesil etc who are making waves and whom I pray succeed but none of them have the sheer talent and artistry that Black Triangle possess. I know it might seem incorrect to say this after all we are all trying so hard to like Don 4 Kwat by Jovi but the truth is that it is a pale effort though I’ll always admire efforts. With the same level of production and exposure, Black Triangle might just usher in the promise of a new era of afro-inspired artists we so direly need.

source: Goth Tick Times

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BlackTriangle today released a video previewing their highly anticipated debut single   “#KongossaBed” (Featuring Ojonery, A.C.E., Arré Rhyme-Z & Ghost) produced by Simo Jandie. The video directed by William Takor, features excerpts of verses from Ojonery and Arré Rhymes-Z. Apparently, the single is set to be released officially in October with a mega lis

tening party. The rumour is, this red carpet event will be hosted by Buea. The song appears to be a certified hit with an extremely catchy chorus reminiscent of songs like “Dami Duro”, ''Thriller'' ,“Oliver Twist”, you name it. The preview of the song starts at the 4th minute of the video.




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Comments Comments Off on BLACKTRIANGLE previews debut single ''#KONGOSSABED''

Black Triangle-artist Ojonery ‘s explosive debut ”The win without a pitch” was eccentric and innovative. A few minutes after midnight, this video of Camer Rapper/Songwriter Ojonery previewing his remix of Renise’s Hit ”Holy Wata”  surfaced on the internet. In the video, he also hints on a possible remix of another Mumak song. Recently we’ve had  a myriad remixes of MUMAK songs especially a mad rush on ”Don 4 Kwat” instrumental. The label is definitely blazing a trail in the industry. The video was directed by William Takor . I guess it’s going to to be an eventful summer in Camer hiphop after all. 



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NexDim met up with rapper Ojonery who released his banging single #ThroneTime earlier this week.

here is an except from the shoot… full interview coming soon

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#ThroneTime is the first single off rapper, Ojonery’s highly anticipated project (The Win Without A Pitch: The EP). The rapper and his team have been able to create a considerable buzz around the release of this single which was originally set to drop on May 12th but was pushed forward.

Dropping video after video, album art after album art.  After a quick listen you’ll notice #ThroneTime is any thing but a commercial-dance single. It’s what hiphop actually is: Beats, Lyrical prowess, Loud Choruses & Shoutouts. To fully enjoy the experience you may want to download the songs lyrics booklet here ( or read it online here ( Ojong Cuthbert Ayuk aKa Ojonery is rumoured to be the illest lyricist of his generation … I guess we’ll find out as we listen to the song/read the lyrics. Watch out for his interview coming soon, Exclusively on NexDim!”

For more info contact William Takor on Twitter:!/WilliamTakor

Enjoy dont mind the makossa intro 😉

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Creative Process behind the creation of Ojonery’s first single off “TWWAP ep”: (#ThroneTime) and the street/internet single (#F$@kYourKing) recorded at & mixed by StreetTalkz Studios (Badt guys lol).

Music in ending credits by Ace of Diamonds (@colinsnubed): LargerThanLife (Snippet)

#ThroneTime drops 12.05.12. #F$@kYourKing drops 10.05.12


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